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BIOGRAPHY
PAGE 2
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Director,
Screenwriter, Producer
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Together
with its special effects and De Palma’s
split-screen and slow motion camera work,
the film reached new heights for
direction. |
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Marking
his return to a major studio production
after several years of independent film
making, Carrie
turned out to be a major commercial
breakthrough for De Palma. Adapted from the
first novel written by Stephen King, the
film is one of De Palma’s most admired and
powerful films to date. Together with its
special effects and De Palma’s
split-screen and slow motion camera work,
the film reached new heights for
direction.
It
is interesting to note that because of the
direction De Palma gives for a
counterclockwise circle of the camera during
a dance scene, he was actually offered
direction of both Saturday Night Fever and
Grease; both offers that he wisely refused.
John Travolta did however have a small part
in Carrie, along with Sissy Spacek as the
lead role. The film was shot in 50 days for
a modest $1.8 million and at that time was
De Palmas biggest critical and commercial
success.
De
Palmas next movie The
Fury did not enjoy the financial success
expected of it and in result 20th
Century Fox canceled plans to back De Palmas
next major project The
Demolished Man, an adaptation of a
science fiction novel by Alfred Bester.
Reaching the conclusion that he had had
enough of bloody, expensive movies, De Palma
decided to return to his roots of filmmaking
and take a new direction.
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When
a De Palma film receives the success it
strives for, it seems to be followed up with
a box office bust, something that has
plagued De Palma from the very beginning of
his career. |
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He
decided to return to Sarah Lawrence College
and teach a course in Low-budget filmmaking.
The course contained undergraduate to
graduate students, ages 18-26, with the
purpose of teaching how to make independent
films and ultimately making one of their own
throughout the course. The result was Home
Movies, a comedy with a
filmmaker-on-filmmaking subject. De Palma
admits today that Home Movies depicts much
of his own childhood.
Throughout
the 80’s and 90’s, Brian De Palma
continued to ride the movie making roller
coaster of both success and failure.
Although many of his movies contain camera
direction unparalleled by many other
directors, the movies themselves have
received constant critical lashings and
commercially have been relatively
unsuccessful. When a De Palma film receives
the success it strives for, it seems to be
followed up with a box office bust,
something that has plagued De Palma from the
very beginning of his career.
The
overwhelming success of The Untouchables (1987), a film adapted by screenwriter David Mamet
from a popular TV series was then buried by
De Palmas next film The
Bonfire of the Vanities (1990), which
will forever be known as one of
Hollywood’s biggest busts.
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The
bases were Vietnam-era politics and the
stars were Jill Clayburgh and Robert De Niro,
both in their feature film debuts. |
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Emotional
roller coasters have plagued De Palmas
personal life as well, being divorced three
times. His first marriage was to actress
Nancy Allen whom was cast in many of his
movies. The couple was married for four
years, from 1979-1983. His second wife,
producer Gale Anne Hurd, gave birth to De
Palmas first child, a daughter Lolita, but
the marriage ended in divorce as well. De
Palma was married once again in 1995 to
Darnelle De Palma, whom gave birth to
Brian’s other daughter Piper, yet that
marriage only lasted 7 months, and by April
of the next year De Palma was divorced for
the third time.
De
Palma likes to take risks, to strive towards
the limit of movie making abilities, and
this may be one of many reasons why so many
well known actors have recently worked with
him. Brian De Palma has directed all such
names as Tom Cruise, Nicolas Cage, Gary
Sinise and Tim Robbins within the last 5
years. Even with all his ups and downs,
Brian De Palma continues to work hard and
strive towards new and undiscovered
direction in movies. Although his most
recent motion picture Mission to Mars may have received much more criticism than expected,
the special effects in the movie along with
the realistic view of space and the beyond
are unmatched to date. Although De Palma’s
next film is at the moment a mystery, one
can only assume it will be something worth
talking about, we already know the critics
will.
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