I knew I
wanted to be a screenwriter.......
at fourteen when I began reading scripts as an actress and coming up
with ideas for how I would re-write them. I¹ve known I wanted to be a
storyteller from as far back as I could remember.
I know I've
succeeded.......
Period. I¹m
happy, have great support and am doing what I love.
My inspiration
to write
RED CARPET.......
has been brewing
ever sense I began working as an innocent and naïve actress at age
seventeen. I have always been fascinated by the moment when you
realize the reality of your dream. Red Carpet is a fictional
culmination of conversations overheard with a mixture of my own
passion about the delicate balance involved when seeking out what you
desire.
*****************************************************************
FilmMakers
Magazine:
What inspired you to write?
Kristina Sisco Romero: I am inspired everyday from interesting things I see on television to
the people I observe on the street. I usually write to work out things
in my head so they make sense, like why someone is the way they are?
FilmMakers Magazine: What did you do to prepare yourself to write your first script?
Kristina Sisco Romero: My freshman year of college I took a UCLA Extension online course in
screenwriting and it opened up a whole new world of possibilities and
mostly structure). I remember writing my first script in one week.
FilmMakers
Magazine:
Is this your first script and how long did it take you to write
RED CARPET?
Kristina Sisco Romero:
This is not my first script. I have completed three feature-length
screenplays, one short screenplay before this one, as well as a series
of short stage-plays and one-acts. I began this idea for Red Carpet in
my Playwriting
class at USC where I am currently earning my Masters. It went over so
well with my classmates that I decided to see what it would look like
as a short screenplay.
FilmMakers
Magazine:
Do you have a set routine, place and time management for writing?
Kristina Sisco Romero: My routine is to treat my writing like a job. I get
up in the morning and ³go to work.² I try to put in 5 hours of writing
everyday. So far I have been very fortunate and can afford to devote
this amount of time to my writing.
FilmMakers Magazine: Do you believe screenplay contests
are important for aspiring screenwriters and why?
Kristina Sisco Romero:
I believe contests are extremely important for
aspiring screenwriters because they are encouraging to the writer and
one of the only forums a new writer can receive creditability. I,
personally, feel more confident of my work just from being a finalist.
It makes me write more. In an industry filled with rejection, one
rarely receives a positive view on their work, and screenwriting
contests can aid in inspiring the new writer to move forward.
FilmMakers Magazine: What influenced you to enter the
American Gem Short Script Competition?
Kristina Sisco Romero:
I have been trying to ³test my work² and not be shy
about submitting my stage plays as well as my screenplays. When I saw
the American Gem short Screenplay Competition I decided to see how far
my work could go. I am happy I did.
FilmMakers
Magazine:
What script would you urge aspiring writers to read and why?
Kristina Sisco Romero:
I would urge aspiring writers to read EVERY script they can get
their hands on, good and very bad. I have found that I learn from
other¹s mistakes almost more than I learn from what the pros did
right.
FilmMakers
Magazine:
Beside screenwriting what are you passionate about and why?
Kristina Sisco Romero: I am passionate about
storytelling. I love story. This is the reason I decided to enter into
the Masters program at USC, which opened me up to novel writing as
well as playwriting. I have tried my hand at picking up a camera and
creating, as well as editing. Any part of the storytelling process is
fun for me.
FilmMakers
Magazine:
Who is your favorite Screenwriter and Why?
Kristina Sisco Romero: My
favorite film/screenplay is Forrest Gump so I would say Eric Roth. I
like working with adaptations and historical material and Eric Roth is
very talented in that realm. William Goldman and The Princess Bride
has always inspired my storytelling as well as Goldman¹s books on the
craft of screenwriting. I also love how Charlie Kaufman plays with the
story structure and rules. I think that¹s three? Sorry.
FilmMakers
Magazine:
Name the director you would love to work with and why?
Kristina Sisco Romero:
I have heard that Gore
Verbinski has great respect for the writer and insists that they are
on set. I have also been a fan of Robert Zemeckis and the stories he
chooses to tell.
FilmMakers
Magazine:
Name the actor you would love to work with and why?
Kristina Sisco Romero: Being an actor
myself it is very hard to just choose one. Meryl Streep, Nicole
Kidman, and Tom Hanks are just a few. Christian Bale is one of those
amazing actors that I believe has just started to show us what he can
do. He has so much talent and potential to tackle any character he
chooses.
FilmMakers
Magazine:
Any tips and things learned along the way to pass on to others?
Kristina Sisco Romero:
Since I began as an
actress, I have encountered harsh rejection as well as a realistic
look inside Hollywood. I knew when I decided to switch to writing that
the struggles wouldn¹t be any different. I think it is a ³cautious
optimism² that keeps me going. I know it is hard and it is a business
to
every degree. If you keep that focus and remove the personal, you can
last a
very long time.
FilmMakers
Magazine:
What's next for you?
Kristina Sisco Romero: What is immediately next for me is completion of my thesis screenplay
and graduation from USC with a Master¹s in Professional
Writing. I have a treatment for a television series that is under
consideration at the CW Network and I am cleaning up all my
screenplays and novels as I venture forward in pursuit of literary
representation.
FilmMakers Magazine: Where will you be five years from
now?
Kristina Sisco Romero: Working. Somehow. I have never shied away from the idea of teaching
story. I just love it that much. If I am fortunate, I hope to be in
the position of selling my work and teaching others the power of
story.
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